| 赵复雄.古典园林中门空、窗空的造型及其文化内涵[J].,2019,(2):109-112 |
| 古典园林中门空、窗空的造型及其文化内涵 |
| The Shape of Door Empty and Window Space in Classical Garden and its Cultural Connotation |
| 投稿时间：2018-11-14 |
| DOI： |
| 中文关键词: 园林 门空 窗空 造型 文化 |
| English Keywords:garden door window shape culture |
| Fund Project: |
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| 中文摘要: |
| 中国古典园林历史悠久,风格独特。园林中的门空、窗空,这一即是门窗又非真正意义的门窗小构建,造型样式十分丰富,寓意深邃,其间包含了主人的众多美好意愿和期盼,因不设门扉和窗棂,就有更大的造型设计空间；可喜的是有文人雅士的参与,提升了门空、窗空的品味,为其造型和装饰注入了更多人文关怀,增加了门空、窗空的文化内涵。 |
| English Summary: |
| Chinese classical gardens have a long history and unique style. The door and the window in the garden are empty. This is the small window and window construction in the sense of non-positive sense of the door and window. The style is very rich and meaningful. It contains many good wishes and expectations of the owner, because there is no threshold. The window sill has a larger design space; the gratifying is the participation of the literati, which enhances the taste of the door and the window, injects more humanistic care into its styling and decoration, and increases the door and window cultural connotation. |
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