| 蒋天平,李宛容,阳洋.《痴心与浊水》中的白化病隐喻与民族国家意识[J].,2024,(6):109-117 |
| 《痴心与浊水》中的白化病隐喻与民族国家意识 |
| The Metaphor of Albinism and National Consciousness in The Interpreters |
| 投稿时间：2022-01-18 |
| DOI： |
| 中文关键词: 索因卡 白化病 《痴心与浊水》 后殖民理论 民族国家意识 |
| English Keywords:Soyinka albinism The Interpreters post-colonial theory national consciousness ( |
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| 中文摘要: |
| 《痴心与浊水》是非洲作家沃莱·索因卡在尼日利亚内战前夕所作的第一部长篇小说,主要讲述了五个海外留学生归国后想利用所学建设自己的国家却屡遭碰壁的故事。在这个遭受挫折与失败的过程中,各种边缘人物登场,白化病人妩瑟叶和拉撒路,执着于黑色的黑白混血戈尔德,他们都是作者笔下“肤色”的阐释者,黑与白的较量仿若传统文化与殖民思想的激烈碰撞。索因卡把这些人物代入约鲁巴神话中,利用传统来唤醒这个“沉睡”的国家,强化民族意识。小说中的白化病便是隐喻个体思想上的“白化”,成为殖民者的代表,而与之对比,晒伤“黑化”的戈尔德则表现了坚决的反抗行为以捍卫自己的精神家园。索因卡借由这些边缘人物,讽刺了尼日利亚腐败的当权政治,表达了强烈的反殖民主义思想以及对民族意识觉醒的期盼。 |
| English Summary: |
| i>The Interpreters is the first novel of the African writer Wole Soyinka on the eve of the Nigerian civil war which depicts a tough circumstance of five overseas students contributing themselves to their country. In the midst of hardship, many kinds of marginal figures appears:the albinos Usaye and Lazarus, and the biracial person Golder bent on being black that are the interpreters of “complexion”. The contest between black and white appears as though traditional culture comes into fierce collision with colonial thoughts. Soyinka introduces these characters into Yoruba myth, using the tradition to awaken this “sleeping” country and strengthen national consciousness. The albinism in the novel is a metaphor for “the whitening” of individual thought, becoming the representative of the colonists. In contrast, the “blackened” Golder from sunburn defends his spiritual home with stiff resistance. With these marginal figures, Soyinka satirizes Nigerian corrupt politics and expresses strong anti-colonial ideas and expectations for the awakening of national consciousness. |
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