崔雪茹,尹倩.《水浒传》中的儒家思想探析[J].,2022,(2):101-106 |
《水浒传》中的儒家思想探析 |
The Embodiment of Confucianism in the Water Margin |
投稿时间:2021-11-09 |
DOI: |
中文关键词: 创作目的 故事设定 人物塑造 仁政学说 君子 |
English Keywords:creation purpose story setting character creation benevolence theory gentleman ( |
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中文摘要: |
《水浒传》深受儒家文化影响,并且通过作品的故事设定、人物形象、创作目的等方面体现出来,具有鲜明的时代特征和文化价值。《水浒传》中从故事设定来看体现了儒家的仁政与民本思想。以宋江为首的梁山好汉们几乎都符合儒家理想的君子形象,具有仁义、孝顺、忠良、守信等品质。而以高俅为代表的封建统治阶级的形象与梁山好汉们的形象恰恰相反,他们奸邪、狡诈、荒淫、虚伪、腐败,与梁山好汉的形象形成了鲜明的对比。作者施耐庵通过《水浒传》对现实的影射,表现了他对社会环境的不满,体现了作者心中对儒家仁政学说以及理想君子形象的向往和追求。 |
English Summary: |
The Water Margin is deeply influenced by the Confucian culture, and is embodied by the story setting, character image and creation aim, which has distinct characteristics of the times and cultural value. The setting of the story in Water Margin embodies the benevolent government and the people-oriented thought of Confucianism. The heroes of Liangshan County, led by Song Jiang, almost all conform to the ideal Confucian image of a gentleman, with Benevolence and righteousness, filial piety, loyalty, good faith and other qualities. The image of the feudal ruling class represented by Gao Qiu was the opposite of that of the heroes of Liangshan County, who were wicked, cunning, immoral, hypocritical and corrupt, in sharp contrast to that of the heroes of Liangshan County. Through the allusions to reality in Water Margin, the author Shi Naian expressed his dissatisfaction with the social environment and his yearning for and pursuit of the Confucian benevolence theory and the ideal gentleman. |
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