| 周志雄,周佳微.悲情江湖与悲剧故事 ——论沧月的小说[J].,2021,22(1):96-103 |
| 悲情江湖与悲剧故事 ——论沧月的小说 |
| Tragic Feelings and Tragic Stories |
| 投稿时间：2020-08-27 |
| DOI： |
| 中文关键词: 沧月 悲剧叙事 网络化 传统化 |
| English Keywords:Cangyue tragedy narrative networking traditionalize ( |
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| 中文摘要: |
| 沧月是“大陆新武侠”的代表作家,浓郁的悲剧色彩是沧月小说的重要特点。由于介于传统作家和网络作家之间的特殊身份,沧月营造了一个兼具传统化和网络化特点的“悲情江湖”。沧月小说延续了传统通俗小说的写法,蕴含了苦难、死亡、救赎等富有哲理性的现代主题,在网络性和传统性之间达到了某种平衡。沧月的悲剧故事有鲜明的个人化风格,是特定时代的产物,沧月的创作实践启发我们思考网络小说该怎样写悲剧。 |
| English Summary: |
| Cangyue is a representative writer of “New Chivalry in mainland China”, and its tragic characteristics is an important feature of Cangyue's novels. Because of the special identity between traditional writers and network writers, Cangyue created a “Sorrow in the world” with both traditional and network characteristics. Cangyue's novels continue the writing method of traditional popular novels, and contain modern philosophical themes such as suffering, death and redemption, and reach a certain balance between network and tradition. Cangyue's tragic story has a distinct personal style, which is the product of a specific era. Cangyue's creative practice inspires us to think about how to write tragedy in network novels. |
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