谭清洋.从《南岳唱酬集》看理学家的山水记游[J].,2019,(6):19-24
从《南岳唱酬集》看理学家的山水记游
Aü Study of Neo-Confucianists' Journey Writing from Nanyue Responsory Collection
投稿时间:2019-02-12  
DOI:
中文关键词:  朱熹  张栻  南岳唱酬  破体  戒惧警醒
English Keywords:Zhu Xi  Zhang Shi  Nanyue responsory  style-breaking  vigilance
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作者单位
谭清洋 北京联合大学 师范学院,北京 100101 
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中文摘要:
      朱熹、张栻、林用中同游南岳衡山时,在7天内写作唱酬诗149首,编为《南岳唱酬集》。张栻的《南岳唱酬序》以“序”为名,实则记述了游玩经过,被后人视为山水游记的名篇。之后,朱熹写作《南岳游山后记》,以“记”为名,实则借临别赠诗一事叙述了自己对于作诗的看法。细读南岳唱酬组诗、《南岳唱酬序》与《南岳游山后记》,可以看出山水文与山水诗在叙述同一活动时的不同特点,还可以观察到理学家面对优美山水时想要作诗却唯恐玩物丧志的纠结复杂心态。
English Summary:
      Zhu Xi, Zhang Shi and Lin Yongzhong wrote 149 poems in seven days when they visited Hengshan Mountain. They were compiled as Nanyue Responsory Collection. Zhang Shi's Preface to Nanyue Song Remuneration takes “Preface” as its name. In fact, it describes the course of the tour and is regarded as a famous piece of landscape travel notes by later generations. Later, Zhu Xi wrote “The Postscript of Nanyue Mountain Tour” in the name of “Ji”, but in fact, he narrated his views on poetry through writing parting poems. Reading these poems, we can see the different characteristics of prose and poetry in narrating the same recreational activities. We can also observe the complex mentality of Neo-Confucianists who want to write poetry but fear to play with objects when facing beautiful landscapes.
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