| 文先军.《阿玛柯德》叙事结构研究[J].,2019,(5):103-110 |
| 《阿玛柯德》叙事结构研究 |
| Aü Study on the Narrative Structure of Federico Fellini's AMARCORD |
| 投稿时间：2019-07-05 |
| DOI： |
| 中文关键词: 序列 情节 情境 共时性 |
| English Keywords:sequence plot context synchronicity |
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| 中文摘要: |
| 《阿玛柯德》的叙事重心不在于构成情节,而是营造情境。通过设置多重主人公、减弱人物动机的功能,建立起多个相对独立的情境。情境之间不存在因果关系,它们性质相同,描述不同个体的退行性心理状态,平行交错发展,构成同一性的总体情境:性本能被压抑后的病态释放。这种立体式的叙事结构是否定传统线性叙事之后的建设,从杂耍表演艺术中借鉴了小品式结构,并受到立体主义绘画的解构手段的影响,在思维基础上,契合荣格提出的“共时性”关系范畴。在费里尼的作品系列中,《阿玛柯德》的并列平行式情境结构发展到最为复杂的程度,能够容纳多种不同甚至矛盾情绪和态度。 |
| English Summary: |
| The narrative emphasis of AMARCOD is to build up the plot rather than to construct the dramatic context. The film sets up multiple protagonists and weakens the function of their motivations, and thus develops relatively independent contexts. Causal relationship cannot be found among the contexts, and they develop in parallel, sharing the same nature in which the psychological regressive state of the individual is described. The different contexts are united on the basis that the protagonists' sexual instincts are over repressed and then abnormally released. Fellini borrows structure from the variety shows which consist of many independent acts, one on the heels of the next, and the method of destruction from the cubism after abandoning the traditional linear way of story-telling, and the philosophy of structure is consistent with Carl Gustav Jung's concept of synchronicity. The parallel contexts structure is the most complicated in all the works of Federico Fellini, and contains different and even contradictory emotions and attitudes. |
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