| 李健.中国古代感物美学的生态意蕴[J].,2018,(5):105-112 |
| 中国古代感物美学的生态意蕴 |
| On the Ecological Implication of Chinese Ancient Ganwu Aesthetics |
| 投稿时间：2018-09-05 |
| DOI： |
| 中文关键词: 感物美学 生态意蕴 感物兴情 托物寓情 感物美学的方法 |
| English Keywords:Ganwu aesthetics ecological implication Ganwuxingqing Tuowuyuqing method of Ganwu aesthetics |
| Fund Project: |
|
| 摘要点击次数: 790 |
| 全文下载次数: 428 |
| 中文摘要: |
| 中国古代感物美学的人与物在文学艺术审美创造和审美体验发生的过程中呈现出来的是一种和谐共生的关系,其实,这就是一种生态关系。从这个意义上来说,中国古代感物美学蕴含着丰富的生态意蕴。中国古代的感物美学类型是生态的,无论感物兴情还是托物寓情,都蕴含着极为丰富的生态意蕴,其所引导的审美创造和审美体验的发生过程都具有生态的意义。中国古代感物美学的方法是生态的,虚静、神思、妙悟,每一种方法都内蕴着意义极其丰厚的生态智慧。 |
| English Summary: |
| In the process of aesthetic creation and aesthetic experience in literary and artistic, the relationship between people and objects in Chinese ancient Ganwu aesthetic presents harmony and coexistence, in fact, it is an ecological relationship. In this sense, Chinese ancient Ganwu aesthetics contains rich ecological implications. Types of Chinese ancient Ganwu aesthetics are ecological. Whether it is Ganwuxingqing(感物兴情) or Tuowuyuqing(托物寓情), there is a very rich ecological implication. The process of aesthetic creation and aesthetic experience have ecological significance. The method of Chinese ancient Ganwu aesthetics is ecological, Xujing(虚静), Shensi(神思)and Miaowu(妙悟); each method contains a very rich meaning of ecological wisdom. |
| 查看全文 查看/发表评论 下载PDF阅读器 |
|
| 关闭 |
|
|
|