全华凌,岳可欣.唐代诗学对唐代南岳佛教诗歌创作的影响[J].,2018,(5):18-26 |
唐代诗学对唐代南岳佛教诗歌创作的影响 |
Buddhist Poet Created in Heng Mountain |
投稿时间:2018-09-28 |
DOI: |
中文关键词: 唐代诗歌 南岳佛教诗歌 唐代诗学 批评理论 |
English Keywords:Tang Dynasty the creation of buddhist poet in Heng Mountain the literary theory the poet theory in Tang Dynasty |
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中文摘要: |
南岳佛教诗歌创作从南朝时期开始,创作尚处于发韧期,到了唐代,终于迎来了异彩纷呈的时刻。同时唐代也是中国古代诗歌创作的高峰,诗歌创作的高峰往往会带来诗歌品评和理论总结的高峰,唐代诗学有着风骨和情韵并重的审美取向,诗学发展可以分为“载道”一路和“取境”一路。此外,近体诗对声韵的营造也承接了魏晋南北朝以来对格律的探究。文章结合这些诗论,采用演绎法,从一般到特殊,从普遍到个别地将唐代南岳佛教诗词的艺术特点做出较为准确的分析。 |
English Summary: |
The creation of the buddhist poet in Heng Mountain started from the Southern Dynasties. Thus in period of the Southern Dynasties and the Northern Dynasties, the creation of the buddhist poet in Heng Mountain was still accumulating strength. And it finally came to the heyday in Tang Dynasty. The creation of the poet in ancient China reached the heyday as well. A common sense goes that the judgement of poet and the establishment of the poet theory will reach the heyday when the creation of poet reaches the heyday. The poet theory in Tang Dynasty is just in a period like this. The content and material is as important as the formality in the Tang’s poet theory, the development of which can be divided into two parts, one takes the theory of Confucianism so serious that the theory must be attached to the poet, while the other highly regards the creation of imageries. Besides, the exploration of the rules and forms of classic poetic composition also comes to a great period. This article is going to use these theories to analyze the buddhist poet created in Heng Mountain. |
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