吴昌林,于文静.楚文化视域下屈原辞骚对《芙蓉女儿诔》的影响[J].,2018,(4):91-95 |
楚文化视域下屈原辞骚对《芙蓉女儿诔》的影响 |
Qu Yuan Ci Sao's influence on “The Lotus Girl Dirge” from the perspective of Chu culture |
投稿时间:2018-04-09 |
DOI: |
中文关键词: 《芙蓉女儿诔》 晴雯 屈原 楚文化 |
English Keywords:“The Lotus Girl Dirge” Qing Wen Qu Yuan Chu Culture |
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中文摘要: |
《芙蓉女儿诔》是《红楼梦》中一篇缠绵绮丽的祭悼文辞,为晴雯寿夭后宝玉哀伤感怀所撰。整篇诔文仿写屈原楚辞,且受楚文化影响而作,是曹雪芹在《红楼梦》中“师楚”的典型代表。文中关于对芙蓉花神祭祀、引魂和送神方式的描写,以及渗透出的植物崇拜的宗教文化心理和“以悲为美”的情感审美观,都明显受屈原的辞骚艺术和楚文化艺术的影响,这也造就了屈原、楚文化和《芙蓉女儿诔》三者之间千丝万缕的联系。 |
English Summary: |
The Lotus Girl Dirge” is one of lingering and gorgeous memorial essay in “Dream of the Red Chamber”, witten by Jia Baoyu after Qing Wen was dead. This article is written in the imitation of Qu Yuan's songs of Chu, and is written by the influence of Chu culture, which is the typical example of Cao Xueqin “Shi Chu” in “Dream of the Red Chamber”. The description of sacrifice, leading soul and sending off the god about Lotus God, and plant worship in his essay and mental aesthetic standard of melancholy beauty, is influenced by Qu Yuan’s Cisao Art and Chu Culture Art significantly. This makes all kinds of connections among Qu Yuan、Chu culture and “The Lotus Girl Dirge” |
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