| 覃新菊,刘衍永.先锋的沉寂与绽放[J].,2016,17(6):97-101 |
| 先锋的沉寂与绽放 |
| The Silence and Blossom of Vanguard literature |
| 投稿时间：2016-10-12 |
| DOI： |
| 中文关键词: 先锋派 第九届茅盾文学奖 沉寂与绽放 |
| English Keywords:Vanguard literature the Ninth MAO-dun Prize for Literature silence and blossom |
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| 中文摘要: |
| 先锋文学走过了三十年的曲折道路。上世纪八十年代中期,带着西学滋养盛大出场,又在强大的外力与自身诟病中于九十年代初集体转型,陷于沉寂。这些年来,他们坚持地下耕耘,探索突围与创新,终于在诺奖、鲁奖、茅奖里绽放。这一历程昭示着文学自身发展的肌理:先锋文学经过山重水复的沉潜与磨砺,一旦将笔力转向脚下的大地,从精神内力的层面发问、求索,与中国现实处境相结合所爆发出来的魅力、实力与影响力,是相当惊人的。 |
| English Summary: |
| Vanguard literature has followed a tortuous road over the past thirty years. It had a grand appearance with western nourishes in the mid of 1980s, then it felled into silence and transformed under the powerful external forces and their own criticism in early 1990s. Over the years, it insisted on developing ,exploring, making innovation in reality. Finally it had a big blossom in the Nobel Prize, LU awards and MAO awards. This process indicates the nature of the development of literature :If Vanguard literature turned the pen at the foot of the earth, asking questions into people's spirit, combined with the real situation in China, and went through all the sinks and hones, it would burst out astonishing charm, strength and influence. |
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