| 刘江.何其相似两巨星——谈郭小川贺敬之政治抒情诗的趋同现象及文学史的评价[J].,2014,15(3):109-114 |
| 何其相似两巨星——谈郭小川贺敬之政治抒情诗的趋同现象及文学史的评价 |
| How Similar the Two Giants Are——On the Convergence of Political Lyrics Between Guo Xiaochuan's and He Jingzhi's and Evaluation from Literary History |
| 投稿时间：2014-03-29 |
| DOI： |
| 中文关键词: 郭小川 贺敬之 政治抒情诗 趋同化 工农兵文学 创作原则 大我 小我 |
| English Keywords:Guo Xiaochuan He Jingzhi political lyric assimilation literature of workers, peasants and soldiers creation principle the Collective the ego |
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| 中文摘要: |
| 郭小川和贺敬之都是中国当代文学史上重要的诗人，但他们的政治抒情诗非常相似，表现在它们的视野和构思都在于国家的命运和前途；感情和心胸都是年青时高昂而豪迈，中年之后殷切而深沉；风格和韵味都是一样的开阔和大气。以往的文学史著作所说的它们各自的独特性缺乏依据，并不客观。而它们之所以如此相似，完全是由工农兵文学的规范化创作原则造成的。其所谓“大我”“小我”结合，实际上只有“大我”，抛弃了“小我”，以致出现了创作的趋同化现象。 |
| English Summary: |
| Guo Xiaochuan and He Jingzhi are outstanding poets in Chinese contemporary literature history, but their political lyrics are very similar, which are reflected in their field of vision and ideas of concerning the fate and the future of the country, great spirits and valiant sentiments in feelings and mind when they were young and profundity in emotion in their middle-age, and open-heartedness in style and charm. It's not evidence-based but subjective for previous literary history works to evaluate their respective peculiarity. We should attribute their similarity to the standardization of the literary creation principle of workers, peasants and soldiers. The so-called combination of “the collective” and “ego” actually abandons “ego”, resulting in the phenomenon of assimilation of creation. |
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