| 彭敏哲.黄咏雩《天蠁词》创作简论[J].,2014,15(2):98-103 |
| 黄咏雩《天蠁词》创作简论 |
| The Composition Style of Huang Yongyu Tian Xiang Ci |
| 投稿时间：2014-01-12 |
| DOI： |
| 中文关键词: 黄咏雩 天蠁词 以诗为词 熔铸经史 |
| English Keywords:Huang Yongyu Tian Xiang Ci composing Ci in the style of poem mastering the Confucian classics |
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| 中文摘要: |
| 二十世纪三四十年代黄咏雩以诗词活跃于南粤文坛，是民国时期岭南诗词界的代表人物之一。其所著《天蠁词》反映社会现实、咏叹个人情怀，在民国词体观念下呈现出有以诗为词、取法风骚；熔铸经史、寄托遥深；“备婉约豪纵之长，骇浑厚幽折之致”等艺术特色，具有较高的艺术价值，应当引起学界注意。 |
| English Summary: |
| In the 1930s and 1940s,Huang Yongyu was an active figure in the Southern Guangdong literary circle. He was one of the representative figures of the Lingnan poetry circle in the Republic Period.His Tian Xiang Ci reflected the social reality and also chanted personal feelings. His Ci style of the Republic of China had its own features: composing Ci in the style of poem; imitating the styles of Ballads and Li Sao; mastering the Confucian classics and using them to express profound meanings; combining the strong points of the powerful and free school with that of the subtle and concise school; being both vigorous and quiet. Its artistic value is remarkable and worth attention. |
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