| 丁燕燕.论“怪人”形象的现代意蕴[J].,2013,14(6):107-111 |
| 论“怪人”形象的现代意蕴 |
| Discussion of the Modern Implication on the “Freak” Figure |
| 投稿时间：2013-10-26 |
| DOI： |
| 中文关键词: “怪人”形象 人的文学 审丑 叙事 |
| English Keywords:“ freak ” figure literature of human ugliness appreciation narrative |
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| 中文摘要: |
| 文学中的“怪人”形象包括疯子、傻瓜、白痴、狂人、小丑、身体残缺者、畸形人、变态者等，他们在文学观念与审美形态两个层面呈现出丰富的文化意蕴和现代内涵。“怪人”形象一方面折射出社会变革和文化变迁的面貌，展示出“人的文学”观之产生、成熟和日趋复杂的现代性走向；另一方面则完成了文学审美形态的现代变革：它以反讽怪诞为主要艺术表现手法,喜剧色彩鲜明，呈现出“审丑”倾向，“怪人”式叙事人的选取则实现了叙事视角的现代性转换。 |
| English Summary: |
| Roles in the novel such as lunatic, fool, idiot, madman, clown, physical handicap, deformity, perverts, etc. can constitute “ freak” figure,from which we can see rich cultural implication and modern connotation either in literary idea or in aesthetic form.On the one hand it reflects the social change and cultural change, which demonstrates the modern trend of production, maturity and increasing complexity for the view of “literature of human”; on the other hand, it completed the modern change in literature aesthetic form. It employed the satire and fantasticism as main artistic techniques and also realized the modernity transformation of narrative perspective when choosing the “freak” as the narrative person. |
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