| 刘江.文学的主体、精髓与精神之变——也谈中国现当代文学的三次大转折[J].,2011,12(3):87-90 |
| 文学的主体、精髓与精神之变——也谈中国现当代文学的三次大转折 |
| The Change of the Literature Body,Essence and Spirit——Talking about three major turning points of the Chinese Contemporary Literature |
| 投稿时间：2011-04-15 |
| DOI： |
| 中文关键词: 现当代文学 国民 神魔 群体 思想 盲从 情感 社会责任 |
| English Keywords:modern and contemporary literature nationals Ghost groups thought blindly emotion social responsibility |
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| 中文摘要: |
| 我国的现当代文学，曾经经历过五四新文学、毛泽东时代文学和新时期文学等三次大转折。这三次大转折的内容具体体现在：从写国民，到写神魔，再到写群体；从文学的思想时代，到文学的政治盲从时代，再到文学的情感发泄时代；从文学社会责任的主动承担，到文学社会责任的放大和变异，再到文学社会责任的逐步丧失。从这三次大转折之中，我们可认识到：文学并不惧怕政治，但不能止于政治；文学不但要有独特的思想，同时还要有对社会的关怀。 |
| English Summary: |
| Chinese Contemporary Literature has experienced three major turning points: the May Fourth Literature, New Maoist literature and the new literature. The three major turning points embodied from writing the national, to writing the Magic, and then to writing the group; from the era of literature thoughts to the era of literary and political obedience, and to the era of literary sentiment; from the literature of social responsibility commitment to literature social responsibilitys amplification and mutation, and to the gradual loss of literature social responsibility. From the three major turning points, we can recognize: literature is not afraid of politics, but not limited to politics; literature is not only a unique idea, but also a concern for society. |
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