| 屈志勤.庄子的语言观及其艺术人生观[J].,2010,11(6):84-86 |
| 庄子的语言观及其艺术人生观 |
| On Zhuangzi's Linguistic View and Artistic Outlook on Life |
| 投稿时间：2010-10-21 |
| DOI： |
| 中文关键词: 语言的局限 语言的超越 艺术境界 |
| English Keywords:linguistic limit overcome linguistic limit artistic realm |
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| 中文摘要: |
| 庄子意识到“道不可言说，但又必须言说”的二难问题，即语言既是表达道不可缺少的工具，在表达道时又遇到重重障碍，故无法完全表达道。故庄子主张通过“得意忘言”的途径解决此难题。庄子此主张并非是说完全不用语言表现道，而是主张进入忘我、忘言而与道同一的顿悟境界，即运用语言而不受语言束缚的“道进乎技”的境界。此人生境界和艺术境界的追求思想影响了自他以后许多文人雅士对文学艺术的追求方向，促进了中国古代文学的辉煌发展。 |
| English Summary: |
| Zhuangzi researched a problem that the language does not completely express Dao’s meaning. Zhuangzi thought the language is finite and Dao is infinite, the language expresses objects as the stillness’ way and Dao is moving, the language expresses objects’ phenomenon and Dao is internal essence. Zhuangzi thought if the language expresses Dao, it will encounter with many limits. So he claimed people should overcome these limits and suddenly realize Dao without any words. This viewpoint of Zhuangzi influenced on many famous ancient literatures and artists. Thereby it promoted brilliantly developing of Chinese classical literature and art. |
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