刘祥文.共鸣与借鉴:玛拉沁夫与肖洛霍夫的艺术情缘[J].,2010,11(3):103-106 |
共鸣与借鉴:玛拉沁夫与肖洛霍夫的艺术情缘 |
Resonance And Reference: Marla Qin-fu and Sholokhov’s Art Feelings |
投稿时间:2010-03-20 |
DOI: |
中文关键词: 共鸣 借鉴 玛拉沁夫 肖洛霍夫 |
English Keywords:resonance reference art feelings |
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中文摘要: |
相似的人生经历与同样深厚的草原情怀,使玛拉沁夫对肖洛霍夫产生了异乎寻常的亲近感。《茫茫的草原》就是他借鉴肖洛霍夫创作艺术的成功范例。无论是在情节安排、风土人情与景物描写,还是在抒情方式与人物刻画等方面,都可看出它与《静静的顿河》之间的亲缘关系。同时,它身上还带有《新垦地》中的某些艺术痕迹。 |
English Summary: |
Marla Qin-fu has the similar life experiences and the same deep feeling of grasslands as Sholokhov, which makes him have an extraordinary feeling of closeness to Sholokhov. The Vast Grassland is a successful example of his learning from Sholokhov’ creative art. From the plot arrangement, the description of customs and sceneries, his expressional and narrative approach, and his method of characterization, it can be found there are intimate relations between Vast Grassland and Quiet Don. Meanwhile, Vast Grassland has some artistic traces borrowed from Virgin Soil Upturned. |
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