| 杨灿.论中国古典诗歌音乐美学的两个层面[J].,2009,10(3):86-89 |
| 论中国古典诗歌音乐美学的两个层面 |
| On the Two Aspects of the Music Esthetics Features in Classic Poems |
| 投稿时间：2009-03-12 |
| DOI： |
| 中文关键词: 古典诗歌 音乐美学 审美价值 |
| English Keywords:classical poetry music aesthetics aesthetic value |
| Fund Project: |
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| 中文摘要: |
| 我国古典诗歌讲究格律、韵味、意境，具有均匀、和谐、统一的东方声韵美，抒情达意的同时体现出内在的节奏感和音乐性。诗歌的音乐美来自内外两个层面：诗歌外在的形式美是语音层面的音乐美，来自于语言文字本身，通过平仄、押韵、节奏等语言形式表现出来；而诗歌内在的音乐美来自语言文字内部蕴含的情感和意象，读者透过语音形式的韵律从内心感知、体会到诗歌内在的思想情感和表现对象，从而获得回味无穷的美感享受。 |
| English Summary: |
| Classical poetry shoud be based on rhyme, charm, mood with uniformity, harmony, unity of Orient rhythm aesthetic. The lyrical and expressive words and phrases reflect the inherent sense of rhythm and musicality at the same time. The Musical Aesthetic of poetry comes from the inside and outside levels: the outside beauty points the phonetic level， that is the written words itself express musical aesthetic through the Level and Oblique Tones, rhyme, rhythm and other language forms. The inside beauty of poetry comes from feeling and imagery which is contained by the wirrten words. Readers through voice rhythm can feel out and understand the inside ideological and emotional performance of the poetry to get memorable aesthetic enjoyment. |
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