| 李胜清.论张承志的创作在市场经济语境中的文化表情[J].,2007,8(2):86-89 |
| 论张承志的创作在市场经济语境中的文化表情 |
| A Mirage of Shrine Consciousness——On the Culture Expression of Zhangchengzhi'''' Creation under Market Economy Context |
| 修订日期：2006-11-26 |
| DOI： |
| 中文关键词: 张承志,市场经济,文化表情,客体错位 |
| English Keywords:Zhangchengzhi,shrine consciousness,mirage,market economy,culture expression,object dislocation |
| Fund Project: |
| LI Sheng-qing |
|
| 摘要点击次数: 836 |
| 全文下载次数: 1 |
| 中文摘要: |
| 张承志的创作定位于一种精英启蒙立场。从效果特征上看,它是对历史记忆的再度体验,不是对当下现实的有效反思,其目的是想在市场经济语境中重新确立庙堂意识,但市场经济的世俗化没有为它提供相应的客体结构。处于这样的阐释落差中,它的文化表情是错位的,从前提上就被决定为一种赎救幻像。 |
| English Summary: |
| Zhangchengzhi's creation is located on a position of essence enlightenment.From effect,it is a review of historical memory,not an effective reflection of present reality.Its purpose is to re-establish shrine consciousness under market economy context.But market economy characteristic of secularity does not supply corresponding objective structure for it.Its culture expression is a dislocation in such an explanation contrast,so it is decided to be a rescued mirage from premise. |
| 查看全文 查看/发表评论 下载PDF阅读器 |
|
| 关闭 |
|
|
|