| 曹亚文.自然——司空图诗歌美学思想的本质[J].,2007,8(1):24-26 |
| 自然——司空图诗歌美学思想的本质 |
| Nature-Essence of the Aesthetic Thought of Si Kongtu about Poems |
| 修订日期：2006-06-30 |
| DOI： |
| 中文关键词: 自然,道家美学,诗化语言,意象化 |
| English Keywords:nature,aesthetics of Taoist,poetic language,imagination |
| Fund Project: |
| CAO Ya-wen |
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| 摘要点击次数: 777 |
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| 中文摘要: |
| 自《二十四诗品》问世,历朝历代均有人尝试注解,但就其主旨和立论问题始终没有令人信服的观点出现。作为一部影响深远的理论著作,在研究领域存在这样的盲点无疑是十分遗憾的。文章将试图从语言特征、批评手法和道家美学的角度探讨“自然”——这一《诗品》中体现出来的司空图诗歌美学思想的本质。 |
| English Summary: |
| Many scholars in different periods have always been trying to annotate "Twenty-Four kinds' aspects of Poems" when it came out to the world.However,there are no persuasive views in terms of the poems' keynote(motive) and argumentation so far.As an important and influential theoretical works, there is no doubt to have a pity on such a scotoma.From the angles of the poems' linguistic features,critique and the Taoist esthetics,the thesis makes a research about "Nature",which represents the essence of the aesthetic thought of poems of Si Kongtu. |
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