胡军.重构“革命经典”:从复杂到“纯粹”——以歌剧《白毛女》和舞剧《白毛女》为例[J].,2006,7(2):76-78
重构“革命经典”:从复杂到“纯粹”——以歌剧《白毛女》和舞剧《白毛女》为例
Reconstruction of "Revolutionary Classics": From complex to purity"--take the opera "the White-Haired Girl" and the ballet "the White-Haired Girl" as the example
  修订日期:2005-08-16
DOI:
中文关键词:  《白毛女》,复杂,“纯粹”
English Keywords:"The White-Haired Girl",complex,purity
Fund Project:
HU jun
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中文摘要:
      延安文艺界所开创的文艺创作方向作为建国后的文艺主潮一直延续到“文革”时期。在这一长达近四十年的文艺实践过程中,左翼文艺界为了在文学艺术中创造一个“绝对无我”之境,不断地调整自己的文化战略目标,追求一种“绝对的纯粹”。从20世纪40年代的歌剧《白毛女》到60年代的舞剧《白毛女》,就很好地反映了革命激进文学派别的这种乌托邦冲动,即以“净化”的方式修改一些“具有一定思想基础”,但又有可能模糊政治伦理观念的“复杂性”作品,展开对自我、阶级本质等想象,以建立一个全新的文艺形态。
English Summary:
      The Yanan literary and art circles found the literary and artistic creation direction after the founding of the nation and the literary host tide continued to "the Great Cultural Revolution" the time.In nearly 40 years of literary practice process,the left wing literary and art circles,in order to create the "absolute altruism",adjusted the culture strategic target,pursued one kind of "absolute purity".The 1940's operas "White-Haired Girl" and 1960's ballet "White-Haired Girl",reflected radical literature faction of this Utopia impulse,which revised the possibility fuzzy politics ethics idea,imaqinedthe class nature,and established a brand-new literary shape.
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