| 孙兰花.张扬自我的“新女性”——从文化视角看《浮生六记》中的陈芸形象[J].,2005,6(6):84-86 |
| 张扬自我的“新女性”——从文化视角看《浮生六记》中的陈芸形象 |
| A "NEW WOMAN" Who Makes Herselef Widely Known--the Cultural Implication of the Chen-yun Image in the Six Chapters of Floating Life |
| 修订日期：2005-10-12 |
| DOI： |
| 中文关键词: 《浮生六记》,陈芸,“新女性”形象,文化背景,文化内蕴 |
| English Keywords:the Six Chapters of Floating Life,Chen-yun,"new female image",cultural background,cultural implication |
| Fund Project: |
| SUN Lan-hua |
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| 中文摘要: |
| 《浮生六记》中的陈芸以其内蕴的丰富性和特异性而成为中国古代文学史上具有现代意义的“新女性”形象。陈芸形象的出现是以江南才女辈出的人文环境、乾嘉时期兴旺的女学和性灵文化作为文化背景的。陈芸形象透视出的文化内蕴是中国封建社会女性自我意识的萌动和张扬,在潜意识中试图超越现实关系的束缚,追求舒展人性的自由空间的意向。 |
| English Summary: |
| The heroine Chen-yun in the Six Chapters of Floating Life is the "new female" character in the Chinese ancient literature because of the luxuriant and distinctiveness that she implied.The image of Chen-yun is based on the human literature environment which gifted female scholars come forth in large numbers in south China;the flourishing feminism and natural disposition and intelligence during Qian and Jia period of Qing Dynasty.The literary implication through Chen-yun is the sprout and makes the feudal female's self-consciousness widely known. |
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