| 丁智才.无用之用——王国维审美功利说及其影响简论[J].,2005,6(4):81-83,107 |
| 无用之用——王国维审美功利说及其影响简论 |
| Useless Value--On the discourse upon utility in esthetic of Wang Guo-wei and its affects |
| 修订日期：2005-03-24 |
| DOI： |
| 中文关键词: 审美,功利,审美功利主义,王国维,蔡元培,鲁迅,朱光潜 |
| English Keywords:esthetic,utility,esthetic utilitarianism,Wang guo-wei,Cai Yuan-pei,Lu Xun,Zhu Guang-qian, |
| Fund Project: |
| DING Zhi-cai |
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| 摘要点击次数: 730 |
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| 中文摘要: |
| 审美和功利的矛盾是贯穿美学与文学始终的矛盾。作为中国近现代美学思想的发轫者,王国维在借鉴以康德等为代表的西方审美超利害说的基础上,结合中国社会的实际,糅进古老的诗教传统,形成了独特的审美功利主义。蔡元培、鲁迅和朱光潜等在这一思想的影响下,建立自己的美学世界,从而完成了中国古代美学向现代美学的嬗变。 |
| English Summary: |
| The contradiction between esthetics and utility exists through the course of esthetics and literature. Under the foundation of western theory of disinterest that takes Kant as representative, Wang Guo-wei formed his unique esthetic utilitarianism combining with reality of the society of China. Under this Influence, scholar such as Cai Yuan-pei, Lu Xun and Zhu Guang-qian and so on establish their own esthetic theories and realize the conversion from Chinese traditional esthetics to modern ones. |
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